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Leif Holmstrand, Holy Helpers, 2018.
Leif Holmstrand, Holy Helpers, 2018.

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Leif Holmstrand in personal exhibition centered around the queer body

Malmö Konsthall starts the spring with a major exhibition featuring the Malmö-based artist Leif Holmstrand. In his work, Holmstrand combines traditional handcraft with a fascination for horror films and burlesque popular culture from a non-straight perspective. The works reference his own family history, mental health, the trans identity, drag and gay culture. The exhibition gathers together a large number of works and also includes an artistic reference library with works by those who have inspired him. The exhibition opens on February 3rd, with the vernissage on Friday, February 2nd.

– The exhibition presents an artistry in constant motion that effortlessly transcends boundaries. The public meets Leif Holmstrand in his combined role as artist, author, (art) collector, performer, musician and curator, says Mats Stjernstedt, Director of Malmö Konsthall.

There is literal thread that runs through Leif Holmstrand’s (b. 1972 in Malmö) extensive artistic practice. He knits and crotchets objects, coverings and costumes, wrapping objects and bodies in cords, yarn and rope. His works are often characterized by a grotesque and confined corporeality and a dark relationship to sexuality and the external world. Fundamental themes include the queer body – which according to the artist can be seen as a kind of magical doll for rituals – and a gender dissolution where the cultural and biological boundaries of the body are challenged. The materials remain central – the textiles, the black bin bags and prams. The boundaries between what is material, sculpture and performance are in flux, many sculptures begin or end as performances.

– Almost all of my works, including performances, are about giving shape to something chaotic. I give it a casing or create an object or a character out of it. The work is at the intersection of care and violation. By crocheting objects, I encase them while also showing them a form of care, says Leif Holmstrand.

Leif Holmstrand, Mother Tree/Mother Insect, 2023.
Leif Holmstrand, Mother Tree/Mother Insect, 2023.

Inspired by theft and termites

The Life of Termites: The End is the finale of a major art project by Holmstrand, the first part of which is currently on display at Galleri Thomas Wallner in the exhibition The Life of Termites: The Beginning. The title is taken from the Belgian author Maurice Maeterlinck’s book La Vie des Termites (The Life of Termites) from 1926. The content of the book was revealed to be stolen from the South African poet and naturalist Eugène Marais. The theft, an author’s obsession with a material and the life form of the termites – neither human nor animal, both individual and collective – fascinate Holmstrand, whose knitted structures resemble termite mounds.

Leif Holmstrands teckningar i boken "Termiternas liv", sammanlagt 40 stycken i utställningen.
Leif Holmstrand's drawings from the book The Life of Termites, a total of 40 pieces, are featured in the exhibition.

Several new works and references to others

The exhibition gathers sculptures, costumes, collage and drawings that are rooted in personal stories. Many series of works are new, including Family Flight where Holmstrand has crocheted together beds and armchairs from his deceased parents’ home, and How an Insect Society is Organised, which consists of twelve large handwoven banners in linen.

– I believe that the newer works I've created for this exhibition encapsulate my history better than most of my previous pieces, especially the suite Family Flight. This exhibition is the most comprehensive one I've done. I make reference to so many aspects in this exhibition: my family, British drag culture in the eighties, queer history, other artists, and the fact that I am a kind of collage artist, says Holmstrand.

Publiken möter även Holmstrand som performancekonstnär. Foto: Vadim Martynenko Ksenia Shmel.
The audience also encounters Holmstrand as a performance artist. Photo: Vadim Martynenko Ksenia Shmel.


Other artists included

In the exhibition, the private intertwines with glimpses towards the world. In addition to his own works, Leif Holmstrand displays parts of his art collection in the exhibition and also presents borrowed works from relevant artistries as a personal, visual reference library. Japanese contemporary art, characterised by craftmanship and a fearlessness to blend together forms, materials and expressions, is an important part of the collection. Other artists exhibited are Hans Bellmer, ChimPom, Nan Embäck, Oscar Guermouche, Majd Abdel Hamid, Lisa Jeannin, Lunga Kama, Sachiko Kazama, Lawrence Lemaoana, Anna-Maria Neumüller, OLTA, Pyuupiru, Meraj Sharifi, Lieko Shiga, Lotta Smed, Fredrik Strid, Per Wizén, Sakiko Yamaoka and Jonas Örtemark. As part of the exhibition, Leif Holmstrand will be featured in a live-streamed performance from Umewaka Noh Theatre in Tokyo, alongside the artist collective OLTA.

Press images can be found here with the password ”press2023”: https://malmokonsthall.se/press/

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Malmö Konsthall opened in 1975 and is one of the largest spaces for contemporary art in the Nordic countries. It is also a space for literature, film, music and talks. Together with restaurant SMAK and the art bookshop, Malmö Konsthall forms a lively cultural centre in the heart of the city. The konsthall has 200,000 visitors annually, and always offers free entry to all exhibitions and programs. Malmö Konsthall can be reached by direct train from Copenhagen in 30 minutes.

Kontakter

Heidi Hakala

Heidi Hakala

Presskontakt Kommunikatör/Communications manager Malmö Konsthall (+46)70 149 30 19

Malmö Konsthall

Malmö Konsthall är ett av Sveriges största rum för aktuell och reflekterande samtidskonst. Sedan 1975 har konsthallen visat hundratals utställningar med regional, nationell och internationell prägel och lockar årligen över 200.000 besökare.

MALMÖ KONSTHALL

S:t Johannesgatan 7
205 80 Malmö
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