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Innovative glass at Nationalmuseum Design this summer

Press release -

Innovative glass at Nationalmuseum Design this summer

On 17 June, an exhibition with the title Glass is Tomorrow opens at Nationalmuseum Design, located inside Kulturhuset Stadsteatern in Stockholm. The result of an international project to highlight the potential of glass, the exhibition will feature around 200 glass pieces and prototypes co-created and produced in workshops held at various glassworks across Europe. One of them is The Glass Factory, Boda in Sweden, who also is a partner in the project.

Playing with transparency, opaqueness, colour, shade and light; Glass is Tomorrow has transposed the savoir-faire of glass-making into the design sphere across Europe. Co-funded by the European Union Culture Programme since 2011, the project brings the world of glassmakers and designers together by forging strong links between the individuals and territories involved in this age-old craft.The creative ideas born from mobility, exchange and dialogue; from the knowledge of a particular place and its heritage; nurtured by traditions and new sources of inspiration and innovation.

Glass is Tomorrow includes a series of workshops and subsequent exhibitions together with partners and associated partners – major centres of glassmaking, production houses and educational programmes that still provide training in this craft, and of the makers and designers of objects.After the first adventure in Nuutajärvi, Finland with Iittala, in Novy Bor, Czech Republic with Verreum, and in Meisenthal with CIAV (Centre International d’Art Verrier), Glass is Tomorrow has currently completed its second phase of joint creative workshops before embarking on a traveling exhibition tour. The second programme began in southern Sweden with The Glass Factory in Boda; continued on to Domaine de Boisbuchet/CIRECA (Centre International de Recherche et d’Education Culturelle et Agricole) with The Corning Museum of Glass’ Glass Lab™; ESADSE (Ecole Supérieure d’Art et Design de Saint-Etienne) in collaboration with Saint- Just Glassworks; CIAV (Centre International d’Art Verrier) in Meisenthal; and Şişecam’s Nude group from Denizli – in western Anatolia and Istanbul – and ending at London's RCA (Royal College of Art).

The workshops have produced objects that fit in with the meaning of beauty, confronting the fragility of age-old ceramics and glass-making industries as much as large factories – which were often made into rootstock for a forever bygone ‘belle epoque’. Using design to reinvent glass art is the challenge, fueled by desires and ideals, that Glass is Tomorrow has set for itself. It is no longer the industry that is necessarily leading innovation and design but the people who draw from within themselves the strength to create; to soak up the culture of the place during each workshop, in regions that are historically entrenched in a glassmaking tradition.

The results of the Glass is Tomorrow project will be on show at Nationalmuseum Design, starting on 17 June. The exhibition will feature a selection of pieces from the various workshops, presented thematically by manufacturing method. In all, around 200 glass artifacts by some 50 designers from all parts of Europe will be on display.

In Stockholm, the exhibition has been expanded to include some unique pieces by 10 glass designers who have a connection to the city: Esmé Alexander, Anna Berglund, Frida Fjellman, Ulla Forsell, Gunilla Kihlgren, Simon Klenell, Matilda Kästel, Sara Lundkvist, Fredrik Nielsen and Karin Törnell.

Earlier this year, Glass is Tomorrow appeared at the Musée de la Mine in Saint-Etienne, France, coinciding with the Biennale Internationale Design, and at the Milan furniture fair with Nude Glass from Turkey. After Nationalmuseum Design, it will move on to the Royal College of Art in London during London Design Festival.

The Glass is Tomorrow exhibition will be on show at Nationalmuseum Design from 17 June to 23 August 2015.

Curator Glass is Tomorrow: Lise Coirier, project leader, Pro Materia
Curator Nationalmuseum Design: Micael Ernstell
Scenography Nationalmuseum Design: Joakim E Werning and Pro Materia
Glass is Tomorrow coordinator: Wing Lam Kwok, Pro Materia
www.glassistomorrow.eu
www.facebook.com/GlassisTomorrow

Media contact
Hanna Tottmar, press officer: hanna.tottmar@nationalmuseum.se, +46 767 234632

Caption
Canon, Designer: GGSV Stéphane Villard, Gaëlle Gabillet. Glassblowers: Saint-Just Team
Photo credit: Anne Zed/ Geophotography

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Nationalmuseum is Sweden’s premier museum of art and design. The collections comprise older paintings, sculpture, drawings and graphic art, and applied art and design up to the present day. The museum building is currently under renovation and scheduled to open again in 2017. In the meantime, the museum will continue its activities through collaborations both in Sweden and abroad as well as temporary exhibitions at the Royal Swedish Academy of Fine Arts, Fredsgatan 12, and Nationalmuseum Design in Kulturhuset in Stockholm. More information is available at www.nationalmuseum.se.

BMW Sverige AB is the main sponsor of Nationalmuseum Design. Nationalmuseum also collaborates with Svenska Dagbladet, FCB Fältman & Malmén and the Grand Hôtel Stockholm. 

Contacts

Head of Press

Head of Press

Press contact Hanna Tottmar +46 (0)8 5195 4400

Welcome to Nationalmuseum Sweden!

Nationalmuseum is Sweden’s museum of art and design. The collections include paintings, sculpture, drawings and graphic art from the 16th century up to the beginning of the 20th century and the collection of applied art and design up to the present day. The total amount of objects is around 700,000. .

The emphasis of the collection of paintings is on Swedish 18th and 19th century painting. Dutch painting from the 17th century is also well represented, and the French 18th century collection is regarded as one of the best in the world. The works are made by artists such as Rembrandt, Rubens, Goya, Boucher, Watteau, Renoir and Degas as well as Swedish artists such as Anders Zorn, Carl Larsson, Ernst Josephson and Carl Fredrik Hill.

The collection of applied art and design consists of objects such as ceramics, textiles, glass and precious and non-precious metals as well as furniture and books etc. The collection of prints and drawings comprises works by Rembrandt, Watteau, Manet, Sergel, Carl Larsson, Carl Fredrik Hill and Ernst Josephson. Central are the 2,000 master drawings that Carl Gustaf Tessin acquired during his tour of duty as Sweden's ambassador to France in the 18th century.

Art and objects from Nationalmuseum’s collections can also be seen at several royal palaces such as Gripsholm, Drottningholm, Strömsholm, Rosersberg and Ulriksdal as well as in the Swedish Institute in Paris. The museum administers the Swedish National Portrait Gallery at Gripsholm Castle, the world’s oldest national portrait gallery and the Gustavsberg collection with approximately 45,000 objects manufactured at the Gustavsberg Porcelain Factory. Nationalmuseum also curates exhibitions at Nationalmuseum Jamtli and the Gustavsberg Porcelain Museum.

Nationalmuseum is a government authority with a mandate to preserve cultural heritage and promote art, interest in art and knowledge of art and that falls within the remit of the Swedish Ministry of Culture.